Showing posts with label sexy japanese girl. Show all posts
Showing posts with label sexy japanese girl. Show all posts

Sunday, July 6, 2008

Ai Takahashi






Ai Takahashi

Ai Takahashi is a Japanese pop singer associated with Hello! Project, best known as the current leader of Morning Musume and member of its popular subgroup, Mini Moni.

Ai Takahashi joined Morning Musume in 2001 as part of the group's fifth generation, along with Makoto Ogawa, Asami Konno, and Risa Niigaki. Her debut appearance with the group was on their single Mr. Moonlight Ai no Big Band, and her first appearance on a Morning Musume full-length release was their fourth studio album, the appropriately named 4th Ikimasshoi!. Her first appearance within a Hello! Project shuffle unit release was on the 2002 single "Shiawase Beam! Suki Suki Beam!" under the group name Happy 7.

In 2003, Takahashi replaced Mari Yaguchi in the Morning Musume spinoff group Mini Moni, first appearing in the group's movie Mini Moni ja Movie: Okashi na Daibōken! and its accompanying soundtrack. Her best-known nickname amongst non-Japanese fans, "Takitty", was derived from the cat suit which she wears in the movie.

Later in 2003, she was part of the Morning Musume splinter group Morning Musume Sakuragumi, which performed mainly slower numbers on the group's two EPs, "Hare Ame Nochi Suki" and "Sakura Mankai", and the shuffle group 7Air, an R&B-inspired septet.

Takahashi's vocals became more prominent on the second and final Mini Moni album, Mini Moni Songs 2 (2004), as well as on Morning Musume's singles from their Spring 2004 release "Roman My Dear Boy" onward. She also had a duet with Tsunku on the cover version of Tsunku and Ayumi Hamasaki's duet "Love ~since 1999~" on his solo album Take1.

In 2005, Morning Musume's first single release of the year, "The Manpower!!!", featured Takahashi in a prominent co-lead-vocal role, a role she has retained on subsequent singles since. In the summer of that year, she became part of the 2005 shuffle Group Elegies.

In 2006, Takahashi played the lead role, Sapphire, in the musical "Ribbon no Kishi The Musical" which was a collaboration work of Takarazuka Revue and Hello! Project. The musical was based on Tezuka Osamu's manga and also starred v-u-den, Nozomi Tsuji, Aya Matsuura, and Natsumi Abe, as well as Marcia and Kaoru Ebira of the Takarazuka Revue. Soon thereafter, Takahashi released her first and only solo single to date, "Yume Kara Samete".

Following then-leader Hitomi Yoshizawa's graduation from Morning Musume on May 6, 2007, the current sub-leader, Miki Fujimoto ascended to the leader position, with Takahashi becoming the new sub-leader of the group. However, on June 1, 2007, after Fujimoto's resignation,Takahashi took over as the new leader.

Takahashi is also captain of the Hello! Project kickball team, Metro Rabbits H.P..

In 2008 Takahashi became a member of Hello Project's new unit High-King,a group created to promote Morning Musume's upcoming Cinderella the Musical, in which Takahashi will play the main character.

It was announced in July 2008, that Takahashi and fellow Morning Musume member Risa Niigaki would play the 80s J-Pop duo Pink Lady in the TV Drama Hitmaker Aku Yuu Monogatari.

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Friday, June 20, 2008

Ayumi Hamasaki








Ayumi Hamasaki

Ayumi Hamasaki born October 2, 1978, is a Japanese singer-songwriter and former actress.Also known as "Ayu" to her fans, Hamasaki has been dubbed the "Empress of pop" or "the Empress of J-Pop" due to her popularity and widespread influence in Japan.Born and raised in Fukuoka, Hamasaki moved to Tokyo at the age of fourteen to pursue a career in entertainment. In 1998, Hamasaki, under the tutelage of Avex CEO Max Matsuura, released a string of modestly performing singles that concluded with her 1999 debut album A Song for XX. The album debuted atop the Oricon charts (Japan's primary music charts, similar to the Billboard charts) and held that position for four weeks in a row, establishing Hamasaki's popularity in Japan.

Since her 1998 debut with the single "Poker Face", she has sold around 50 million records, making her one of Japan's best-selling singers.With the release of her thirty-ninth single, "Startin'/Born to Be...", in 2006, Hamasaki became Japan's female solo artist with the most number-one singles. In addition, the release of Hamasaki's 2008 single "Mirrorcle World" made Hamasaki the only Japanese female artist to have a number-one single every year for ten consecutive years.She is also the first Japanese artist to have her first original eight studio albums top the Oricon charts,as well as the Japanese female artist with the most number-one singles, most Top 10 singles, highest singles sales, and most million-seller singles (this record for most million-seller singles is shared with band Pink Lady and fellow J-pop singers Namie Amuro and Hikaru Utada.

Hamasaki began her modeling career at the age of seven, modeling locally for institutions such as banks to earn money for the family. At the age of fourteen, she moved from Fukuoka to Tokyo to take various modeling stints as well as acting jobs in such productions as television dramas like Miseinen and b-movies like Gakko II and Ladys Ladys!! Soucho Saigo no Hi. She did not meet with much success in these endeavors: she was deemed by her talent agency as too short to be a model, and the projects she acted in were not well-received by the general public.Although Hamasaki originally got good grades, she eventually decided that the subjects she was taking were of no use to her; consequently, her grades dropped drastically and she became a delinquent.

As her modeling and acting endeavors met with little success, Hamasaki's talent agency decided to repackage her as a singer; her first professional musical endeavors were in the rap scene. Nothing from Nothing, her first album, was released in December 1995 under the Nippon Columbia label. When the album failed to chart on the Oricon, the label dropped her.Shortly afterwards, Hamasaki left high school; with no job, she spent much of her time shopping at Shibuya boutiques and dancing at Velfarre, an Avex-owned disco club.

At Velfarre, Hamasaki was introduced to her future producer, Max Matsuura, through a mutual friend. Matsuura offered Hamasaki a recording deal immediately after hearing her sing, but Hamasaki suspected Matsuura of ulterior motives and turned the offer down.Nonetheless, Matsuura persisted in offering her a contract until the following year, when Hamasaki finally signed on to the Avex label and began taking vocal training.Finding the instructors too rigid and the classes too dull, however,Hamasaki skipped most of her classes. When she confessed to Matsuura that she had skipped the classes, he sent her to New York for training. While there, Hamasaki corresponded with Matsuura who, impressed with her writing, suggested she try writing her own lyrics.

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